“There’s a lot of raw emotion on this record,” begins Rise Against singer and guitarist Tim McIlrath as he describes the Chicago punks’ highly anticipated and searing new album, The Black Market on Interscope Records. “It’s a raw nerve,” he clarifies, “it’s going to be a hard thing to ignore.”

These words should not be taken lightly. After 15 years, and six incendiary albums, Rise Against have become one of the most successful, challenging and revered punk rock bands on the planet. While selling four million albums globally across their last four releases – with 2011’s Endgame debuting at number one in Germany and Canada, and number two on the U.S. Billboard charts - they’ve also always adhered to the idea of music as a vehicle for change. In doing so, they’ve appeared alongside superstars like Adele and Sting on Amnesty International’s Chimes Of Freedom – The Songs Of Bob Dylan compilation in 2012, toured with Rage Against The Machine’s iconic guitarist Tom Morello, campaigned against gun violence with the Demand A Plan organisation and advocated the Make It Stop campaign’s attempt to raise awareness of LBGT teen suicides and bullying, working closely with “It Gets Better.” It’s important to keep this rich heritage of protest in mind when discussing The Black Market. 

On the one hand, The Black Market was forged like other Rise Against records. Tim McIlrath, bassist Joe Principe, guitarist Zach Blair and drummer Brandon Barnes recorded it between January and March, 2014, at the Blasting Room Studios, with long-time producers Bill Stevenson and Jason Livermore. But something was different this time around. 

2014 Universal